The Nobel Prize in Literature 1995
Seamus Heaney
A farmer’s son from County Londonderry who dug into bog, memory and language, and found there a way to write through the Troubles.
Prize motivation
“for works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past”
Biography
Seamus Heaney was the eldest of nine children on a farm called Mossbawn in County Londonderry. His father dealt in cattle; his mother’s family worked in a linen mill, and he later saw in the two lines an older rural Ireland and an industrial Ulster. A scholarship took him to St Columb’s College in Derry, and he read English at Queen’s University Belfast, where finding Ted Hughes’s poems showed him that his own rural experience could be the matter of poetry. He taught in Belfast through the 1960s.
Death of a Naturalist (1966) announced a poet of exact sensory memory: digging, churning, the frogspawn and flax-dam of childhood. As violence spread in Northern Ireland, his work turned to the Iron Age bodies preserved in Danish bogs, which in North (1975) became a way of thinking about sacrifice, tribe and complicity. He moved to the Republic in the 1970s and settled in Dublin. Later books, from Field Work to Seeing Things and The Spirit Level, grew more open and luminous without losing their grounding in physical things.
Heaney taught at Harvard for many years and was Oxford Professor of Poetry from 1989 to 1994. After the Nobel Prize he published a widely read verse translation of Beowulf, which won the Whitbread Book of the Year, and further collections, the last being Human Chain (2010). He died in Dublin in 2013 and is buried in Bellaghy.
Selected works
1966
Death of a Naturalist
His first major collection, rooted in the farm life of his childhood and opening with the poem “Digging,” in which the pen takes the place of the spade.
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1975
North
Poems on Iron Age bog bodies and Viking Ireland that hold up an ancient mirror to sectarian violence in the North.
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1979
Field Work
Written partly at Glanmore in County Wicklow, these poems of marriage, friendship and elegy mark a turn toward a more personal, measured voice.
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1996
The Spirit Level
The first collection after the Nobel Prize, balancing public catastrophe and private grace; it won the Whitbread Book of the Year.
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1999
Beowulf
A muscular verse translation of the Old English epic, voiced partly through the speech of his Ulster childhood; it won the Whitbread Book of the Year.
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