The Nobel Prize in Literature 1969
Samuel Beckett
Beckett stripped the novel and the stage to their bare bones and found, in failure and waiting, a comedy and grace no one had heard before.
Prize motivation
“for his writing, which – in new forms for the novel and drama – in the destitution of modern man acquires its elevation”
Biography
Samuel Beckett was born in 1906 in Foxrock, a suburb of Dublin, into a comfortable Protestant family. He studied French and Italian at Trinity College Dublin and in 1928 went to Paris as a lecturer at the École normale supérieure, where he became a close friend and assistant of James Joyce. His early work — an essay on Proust, the stories of More Pricks Than Kicks and the novel Murphy — showed a formidable, erudite comic gift still under Joyce’s shadow. He settled permanently in Paris in the late 1930s.
During the Second World War Beckett joined a Resistance network; when it was betrayed in 1942 he fled with his partner, Suzanne Dechevaux-Dumesnil, to the village of Roussillon, and he was later awarded the Croix de Guerre. After the war he began writing in French, and in a few intense years produced the trilogy of novels Molloy, Malone Dies and The Unnamable, together with Waiting for Godot. The play’s premiere in Paris in 1953 made him famous: two tramps wait for someone who never comes, and fill the time with talk, routines and tenderness. Endgame, Krapp’s Last Tape and Happy Days followed, many written or translated by Beckett himself between French and English. His later prose and drama grew ever briefer and more exact, reducing language to a voice, a light, a mouth.
When the Nobel Prize was announced in 1969 Beckett, who shunned publicity, did not attend the ceremony; his French publisher, Jérôme Lindon, accepted on his behalf. He continued to direct his own plays and to write until the end of his life. He died in Paris in December 1989, a few months after Suzanne.
Selected works
1938
Murphy
A comic novel of an Irishman in London who seeks the peace of his own mind and finds it as an attendant in a mental hospital; Beckett’s first published novel.
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1951
Molloy
The first novel of the postwar trilogy: two monologues, of a crippled wanderer searching for his mother and of the detective sent to find him, that dissolve the conventions of fiction.
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1952
Waiting for Godot
Two tramps, Vladimir and Estragon, wait by a tree for a Godot who never arrives; first staged in Paris in 1953, it transformed modern theatre.
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1957
Endgame
In a bare room after some unnamed catastrophe, the blind, chair-bound Hamm and his servant Clov play out their last moves; bleak, comic and exact.
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1958
Krapp’s Last Tape
An old man listens to a tape recording he made thirty years earlier, confronting his former self in a one-act play of memory and loss.
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