The Nobel Prize in Literature 1926
Grazia Deledda
Largely self-taught in a remote Sardinian town, she wrote the island’s austere landscapes, guilt and fatality into a body of fiction that reached the world.
Prize motivation
“for her idealistically inspired writings, which with plastic clarity picture the life on her native island and with depth and sympathy deal with human problems in general”
The 1926 prize was reserved and awarded in 1927.
Biography
Grazia Deledda was born in 1871 in Nuoro, in the mountainous interior of Sardinia, the fourth of seven children in a middle-class family. Her formal schooling ended with the elementary grades; beyond that she had a private tutor and her own reading. Her family did little to encourage her writing, yet she published her first story while still in her teens, followed by early fiction in magazines, a story collection in 1890 and a first novel, Fior di Sardegna, in 1892.
In 1900 she married Palmiro Madesani, a civil servant, and moved to Rome, where — while raising two sons — she kept to a disciplined routine and produced roughly a novel a year. Elias Portolu (1903), the story of a former convict torn by forbidden love, brought her wide success; it was followed by Ashes (1904), filmed in 1916 with Eleonora Duse in her only screen role, and Reeds in the Wind (1913), her most popular book. Her fiction is rooted in the customs and harsh landscapes of Sardinia and peopled by outsiders who struggle silently with sin, guilt and fate. It owes something to Giovanni Verga’s verismo and to the decadent atmosphere of D’Annunzio, though her style is plainer than either.
Deledda received the Nobel Prize for 1926 — the first Italian woman to do so, and the second woman after Selma Lagerlöf. She went on writing as her health failed, and died of breast cancer in Rome in 1936. Cosima, a lightly fictionalised account of her youth, was published the following year. Her childhood home in Nuoro is now a museum.
Selected works
1903
Elias Portolu
A man returning from prison falls in love with his brother’s fiancée; a tale of guilt, desire and penance that established Deledda’s reputation.
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1904
Ashes
An illegitimate son searches for the mother who abandoned him; adapted in 1916 as the only film starring Eleonora Duse.
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1913
Reeds in the Wind
The declining Pintor sisters and their devoted servant Efix live out a story of sin and expiation on the Sardinian plain; Deledda’s most widely read novel.
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1937
Cosima
A posthumously published, semi-autobiographical account of a young woman’s vocation as a writer in Nuoro, recalling Deledda’s own youth.
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